Let me just clarify what I said. When I say you are on a "mission", I mean you have a goal, or an objective. I believe your objective is to cast a bad light on this film (because you are reading in to the hype).
I was not talking about the missionary position as in the standard sexual position...or was I??? hehe
I singled you out because you have not seen the movie. It is clear from your opinion that you have not seen the movie. If you had seen the movie, you would not have the negative opinion.
That article you posted is tripe. Articles like that incite readers to think bad thoughts about good people. If you had seen the movie you would put not one ounce of stock in to that article.
Gibson goes out of his way to differentiate between the Jewish high priests, corrupted with power, and the Jewish people. As others on this thread have mentioned, there is an extremely emotional scene which spoon-feeds this point to the viewers.
Societal context? If folks want to write about the societal context they can write an editorial about how there are strong parallels between the corrupt, ancient Jewish priests behavior and the modern day Catholic Church pedophilia cover-up. You will find more evidence of that in the film than you will ever find evidence of anti Semitism. Thus, I do not think Gibson was stirring the pot with bigotry to market the movie.
Now, let me get to my opinion of this movie. I have been too busy typing up personal attacks against ken
I think the movie was great. Everything about its production was just top notch. The sounds were phenomenal in this movie. I imagine some of you folks cringe to remember some of these sounds. The sets, costumes, blocking, etc...just sweet. You could pause the movie at any time and you would have a scene that looked not unlike a Botticelli painting. It really is a well done film. It is quite graphic, but I think it is necessary. Braveheart was graphic film as well and many folks did not like that aspect of it. I think the graphic nature of Gibson's films adds a serious sense of realism. In Braveheart, it almost felt like I was there in a medieval battle. I could hear the clanging swords and smell the coppery scent of spilt blood. Gibson brought out these same sensations in the Passion.
As you can see, I really enjoyed this movie. I do not believe any other religious movie has moved me like this one. I think the only story that really put me in an emotional state like this is when I read Victor Frankl's book,
Man's Search For Meaning
I will not disclose information about this book as I think folks should read it. I will tell you this. The book is extremely graphic, and extremely gut wrenching, just like the Passion. If someone made a movie of this story one day, folks would walk out of the movie theater with the same stunned expression as when they walk out of Passion.
Anyway, I am not the kind of person who reads articles that try to convince people to think there is some sort of hidden racist agenda. I remember when Star Wars episode I came out and everyone was calling George Lucas a racist because of the mannerisms of Jar Jar Binks. Simply ridiculous.
Ken, I am sorry I singled you out. It was just my impression that you are the only one in the thread who has not seen the movie. Hope I did not offend
Perhaps I will find someone else to attack to even things up! j/k